This project investigates how Europe is identified in narratives from its Eastern part. It is run by Södertörn University (Stockholm) within the research area of Critical and Cultural Theory with funding from Östersjöstiftelsen (The Foundation for Baltic and East European Studies) in 2012 - 2016.
The project focuses on how "Europeanness" is fabricated and narrated in one of Europe's dynamic peripheries. Focusing on the region's philosophical, political, literary, musical, art and media discourses, a systematic and comparative analysis is made of how European identity is articulated differently depending on national context and narrative genre. The project thus makes comparisons in three dimensions: how does the narration of European identity vary (1) between centre and periphery; (2) between national subregions of East Europe; and (3) between narrative genres of communication.
In East Europe, neighbouring countries with divergent experiences have taken distinct paths vis-à-vis the European project of unification, offering excellent clues to the diverse facets of ongoing refigurations of what Europe means. In this region, concepts of Europe are intensely cultivated and debated, challenging the notion of East Europe as the "Other" and suggesting that they in many ways tend to be more active Europeans than many in Central or Western Europe. Discursive tensions will be scrutinised between "Fortress Europe" and Europe as communicative node, unity and diversity, stability and mobility, universalism and particularism. There are variously emphasised traces of Christian heritage, colonial history, Enlightenment ideas of progress, experiences of war, or reference to old and new transnational connections.
Six subprojects deal with European narratives in (A) phenomenological philosophy (Carl Cederberg); (B) political movements (Anne Kaun); (C) Cold War geopolitical narratives (Stefan Jonsson), (D) visual arts (Katarina Wadstein MacLeod), (E) popular music (Johan Fornäs); and (F) news media (Roman Horbyk). The project organizes annual workshops and will result in individual articles and a joint anthology report. It links core disciplines within the Critical and Cultural Theory research area of Södertörn University (Media and Communication Studies, Studies of Practical Knowledge, Aesthetics and Art History), and makes them imminently relevant to the Baltic area studies at Södertörn University.
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